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In Journey, he connects with early Chinese film noir, especially the ones portraying the underworld of 1920s Shanghai. In Journey Woman, he interprets the above with key ingredients of osmanthus and tobacco to express a fragmented world of improvisation.
Top notes of Osmanthus, Cardamom, Nutmeg, Jasmine Tea and Apricot
Heart notes of Jasmine, Mimosa and Honey
Base notes of Cedarwood, Cypriol, Musk, Tobacco, Saffron and Vanilla